4,366
edits
Difference between revisions of "Christine"
Jump to navigation
Jump to search
no edit summary
PuddleFoot (talk | contribs) |
|||
| (15 intermediate revisions by 11 users not shown) | |||
| Line 1: | Line 1: | ||
{{#vardefine:transient height|167}} | |||
{{#vardefine:transient weight|53}} | |||
{{#vardefine:transient summon date|9/23}} | |||
{{#vardefine:transient release version|3.1.4}} | |||
{{#vardefine:transient release date|2018-04-09}} | |||
== {{Star|3}} == | == {{Star|3}} == | ||
{{ | {{#vardefine:transient gate|Tokyo}} | ||
| | {{#vardefine:transient en jingi|<ruby>Fantasy Embrace<rt>Phantom Embrace</rt></ruby>}} | ||
| | {{#vardefine:transient en affiliation|Entertainers}} | ||
{{#vardefine:transient jp en research file|A high school actress with a thousand forms and a member of the Yurakucho Entertainers. Her multicolored masks Sacred Artifact each contain the memories of someone, and through them she can reenact any musical or situation. While performing on stage she makes a strong impression of personal presence, but beneath the mask she carries a fleeting, otherworldly air about her. She herself says she was born only for the extraordinary days she refers to as "festivals," decorated in brilliant colors on the stage of fiction known as the App Game. She knows her first and only fan, swearing to offer her body to them.}} | |||
| | {{#masterdata:Card|111601}} | ||
| | |||
== {{Star|4}} == | |||
{{#vardefine:transient jp en research file|Everyone has been tied to the "role" given to them from the time they were born, writhing in agony as their life ends. But only on the days of festivals can people put on a mask and play a temporary "part," thereby be released from their assigned fate and soothe their sadness. Indeed, on days of festivities she was the "Ruler of Festivals" who approves of people putting on masks. Her calling herself that is permitted only by devout believers in the "Almighty"--FANatics. And now, she has switched "roles" from collecting masks of characters entering the stage of old legends to standing and singing of the arrival of a new world united by the origin of order. She sympathizes with those who show momentary dreams.}} | |||
{{#masterdata:Card|111602}} | |||
| | |||
| | |||
}} | |||
{{Companion CV | {{Companion CV | ||
|ogg=christine | |||
|summon=A gentle lady from a foreign country... Please, call me Christine. | |summon=A gentle lady from a foreign country... Please, call me Christine. | ||
|battle=Now, let us ring the opening bell. | |battle=Now, let us ring the opening bell. | ||
| Line 39: | Line 27: | ||
|victory=This is tonight's final curtain call... Now, sweet dreams to you. | |victory=This is tonight's final curtain call... Now, sweet dreams to you. | ||
|ko=Good evening... Let us meet again, in a dream. | |ko=Good evening... Let us meet again, in a dream. | ||
|love=Such a detestable person. Making a temporary girl feel this hot. Someday, please give me a red rose. | |||
|title='''Tokyo Afterschool Summoners.''' Now, please contemplate this treasured play. This Christine will be guiding all of you. | |||
|open=How do you do? Hehehe, so surprised you are… Tonight, I am nothing but the lady in charge of collecting tickets. Well then, after coming to this theater, what is it that you seek? | |||
|close=Even in these theatre halls, full of dazzling and emotion, eventually, the day shall come. Worry not during our short interlude, for I am certain the next stage will come soon. | |||
|greeting=We of the Entertainers have little to no power, we only wish to enjoy this beautiful performance. That’s right, we are contempt with just that, hohoho. | |||
|encouraging=Should anyone come to learn your truths, all of them will retreat in fear. If that were the case, I shall become the mask you shall wear to face it. That terrible sadness you hide in your being, I shall be the one to take over it and sing it to the crowds for you! | |||
|touched=Did you wish to look under this mask that much? You are alike that fool, Pandora. That curiosity certainly merits us cursing it… | |||
|conversation-1=There's nothing more boring than a show that lets down your expectations. Allow my song to bring wings to hundreds of librettos! If everyone would enjoy that, it would be good. | |||
|conversation-2=The stage is fictional comfort. A dream's pillow. That is why it shakes people's hearts sometimes. For example, if you remembered that I burned my life here... | |||
|self=The weak cover their falsehood, and follow their ephemeral systems. Something like a mirror that returns light to the viewer. Thus, thinking this way, the woman named “Christine” was probably, from the beginning, no one at all... | |||
|character-1=Evil and good, enemy and friend, joy and sadness. How can the weak survive without being able to express that degree of contradiction? Right? Nyarlathotep? | |||
|character-2=Unable to go back to that summer, the young girl spends her days dreaming… ah! How wonderful! You are so wonderful! In this scenario called “Tokyo”, that cruelty is simply proper… | |||
|event=It seems that, somehow, a new script has been handed out. Let us go forward, to this previously unseen stage! Allow me to show you, the “me” that no one has ever seen! | |||
}} | }} | ||
== | ==Appearances== | ||
===Transient Summons=== | |||
{{Gacha appearance table|{{PAGENAME}}}} | |||
{{ | |||
| | |||
== Notes == | == Notes == | ||
* Christine is based on two characters from the novel "[[Wikipedia:The_Phantom_of_the_Opera|The Phantom of the Opera]]" written by [[Wikipedia:Gaston_Leroux|Gaston Leroux]] published in 1910 and becoming a famous [[Wikipedia:The_Phantom_of_the_Opera_(1986_musical)|musical]] written by [[Wikipedia:Andrew_Lloyd_Webber|Andrew Lloyd Webber]] in 1986, those characters being [[Wikipedia:Christine_Daaé|Christine Daaé]] in name and design and the [[Wikipedia:Erik_(The_Phantom_of_the_Opera)|Phantom of the Opera]] himself in overall theme. | |||
** Her summon date is the publication date of the original serial release of [[Wikipedia:The_Phantom_of_the_Opera|The Phantom of the Opera]]. | |||
* Her [[Sacred Artifact]] are numerous masks she puts on to play a particular role, though she is mostly seen wearing a half-mask with a butterfly motif giving it that ephemeral feel. This is a reference to the mask the Phantom of the Opera wears to hide his disfigured face, the half-mask being a more popular portrayal originating from the musical. | |||
** Her charge skill "Phantom de Garnier" basically means "Phantom of Garnier" with "Garnier" referring to [[Wikipedia:Palais_Garnier|Palais Garnier]], an opera house in France famous for being the setting for the novel and musical. | |||
* Her summoner mark is on her left arm, having the appearance of butterflies in wisps of mist or smoke. | |||
* The five figures with her in her 4-star art are also the five different appearances the [[Protagonist]] can choose. | |||
{{Transient navbox}} | |||
{{Comments}} | {{Comments}} | ||